2 : Dark Knight __FULL__
The Guardian scored the film four out of five stars, calling it a film of "granite, monolithic intensity", yet also calling it a "hammy, portentous affair". Andrew O'Hehir of Salon writes "if The Dark Knight Rises is a fascist film, it's a great fascist film, and arguably the biggest, darkest, most thrilling and disturbing and utterly balls-out spectacle ever created for the screen". Roger Ebert of the Chicago Sun-Times gave the film three out of four stars, stating "the film begins slowly with a murky plot and too many new characters, but builds to a sensational climax."
2 : Dark Knight
Christopher wanted to cast an actor with an all-American "heroic presence" for Harvey Dent, something he likened to Robert Redford but with an undercurrent of anger or darkness. Josh Lucas, Ryan Phillippe, and Mark Ruffalo were considered, as well as Matt Damon, who could not commit due to scheduling conflicts.[o] According to Christopher, Eckhart had the all-American charm and "aura ... of a good man pushed too far". Eckhart found portraying conflicted characters to be interesting; he said the difference between Dent and Batman is the distance they are willing to go for their causes, and that after Dent's corruption he remains a crime fighter but he takes this to an extreme because he dislikes the restrictions of the law. Eckhart's performance was influenced by the Kennedy family, particularly Robert F. Kennedy, who fought organized crime with a similarly idealistic view of the law. During discussions on the portrayal of Dent's transformation into Two-Face, Eckhart and Christopher agreed to ignore Tommy Lee Jones's "colorful" portrayal in Batman Forever (1995), in which the character has pink hair and wears a split designer suit, in favor of a more realistic, slightly burnt, neutral-toned suit.
Principal photography began on April 18, 2007, in Chicago on a $185 million budget.[s][t] For The Dark Knight, Pfister chose to combine the "rust-style" visuals of Batman Begins with the "dusk"-like color scheme of The Prestige (cobalt blues, greens, blacks, and whites), in part to address over-dark scenes in Batman Begins. To avoid attention, filming in Chicago took place under the working title Rory's First Kiss but the production's true nature was quickly uncovered by media publications. The Joker's homemade videos were filmed and mainly directed by Ledger. Caine said he forgot his lines during a scene involving one video because of Ledger's "stunning" performance.
Several publications called The Dark Knight the best comic-book hero adaptation ever made. Roger Ebert said it, alongside Iron Man, had redefined the potential of superhero films by combining comic-book tropes with real world events.[ai] Some appreciated its complex moral tale about the effects of vigilantism and terrorism on contemporary society. Emanuel Levy and Manohla Dargis praised the depiction of the characters as possessing both positive and negative aspects, such as Batman's efforts to end crime provoking unintended consequences and a greater response from criminals; Dargis believed The Dark Knight's exploration of chaos, fear, and death, following the September 11 attacks in 2001, represented "that American movies have entered a new era of ambivalence when it comes to their heroes or maybe just superness."[aj] Others criticized the dark, grim, intense, and self-serious tone as lacking any elements of fun or fantasy.[ak] David Denby said The Dark Knight was a product of a "time of terror", but focused on embracing and unleashing it while cynically setting up a sequel. Stephanie Zacharek and David Edelstein criticized a perceived lack of visual storytelling in favor of exposition, and aspects of the plot being difficult to follow amid the fast pace and loud score. Christopher's action direction was criticized, especially during fight scenes where it could be difficult to see things clearly, although the prologue bank heist was praised as among the film's best.[al]
The Dark Knight focuses on the moral and ethical battles faced by the central characters, and the compromises they make to defeat the Joker under extraordinary circumstances.[ay] Roger Ebert said the Joker forces impossible ethical decisions on each character to test the limits of their morality. Batman represents order to the Joker's chaos and is brought to his own limit but avoids completely compromising himself. Dent represents goodness and hope; he is the city's "white knight" who is "pure" of intent and can operate within the law. Dent is motivated to do good because he identifies himself as good, not through trauma like Batman, and has faith in the legal system. Adlakha wrote Dent is framed as a religious icon, his campaign slogan being "I believe in Harvey Dent", and his eventual death leaves his arms spread wide like Jesus on the Cross. Eckhart described Dent as someone who loves the law but feels constrained by it and his inability to do what he believes is right because the rules he must follow do not allow it. Dent's desire to work outside the law is seen in his support of Batman's vigilantism to accomplish what he cannot.
Dent's corruption suggests he is a proxy for those looking for hope because he is as fallible and susceptible to darkness as anyone else. This can be seen in his use of a two-headed coin to make decisions involving others, eliminating the risk of chance by controlling the outcome in his favor, indicating losing is not an acceptable outcome for him. Once Dent experiences a significant traumatic event in the loss of Rachel and his own disfigurement, he quickly abandons his noble former self to seek his own form of justice. His coin is scarred on one side, introducing the risk of chance, and he submits himself to it completely. According to English professor Daniel Boscaljon, Dent is not broken; he believes in a different form of justice in a seemingly unjust world, flipping a coin because it is "Unbiased. Unprejudiced. Fair."
Before The Dark Knight, superhero films closely emulated their comic-book source material, and though the genre had seen significant successes such as Superman (1978), Batman (1989), X-Men (2000), and Spider-Man (2002), they were often considered disposable entertainment that did not garner much industry respect.[bb] A 2018 retrospective by The Hollywood Reporter said The Dark Knight taught filmmakers "comic book characters are malleable. They are able to be grounded or fantastic, able to be prestigious or pure blockbuster entertainment, to be dark and gritty or light, to be character-driven or action-packed, or any variation in-between."
Retrospective analysis has focused on the way studios, eager to replicate its performance, released tonally dark, gritty, and realistic films, or reboots of existing franchises, many of which failed critically or commercially. Some publications said studios took the wrong lessons from The Dark Knight, treating source material too seriously and mistaking a dark, gritty tone for narrative depth and intelligent writing.[bd] The MCU is seen as a successful continuation of what made The Dark Knight a success, combining genres and tones relevant to each respective film while treating the source material seriously, unlike the DC Extended Universe, which more closely emulated the tone of The Dark Knight but failed to replicate its success.
Dark Knight is a tank job in Final Fantasy XIV that have harnessed and utilise the power of darkness to become paragons of justice, using their greatswords to protect the people of Ishgard. This job can only be played after reaching Ishgard, the main city of the Heavensward expansion, and completing a short questline in the city after reaching Level 50.
His wish came true at age 10, when his father moved out of the house, saying that he couldn't stand the sight of either of them, and took up residence in a rented room near the precinct where he worked. Since then, Harvey only saw him once on the street accompanied by a middle aged woman who closely resembled his mother, and he never visited nor sent cards. One night at age 16, he came home late from his after-school job at a local pharmacy and found both of his parents dead in the same room; his father lying on the floor with a gun against his head (which bore a bloody hole) and his mother hanging from a knotted sheet attached to the ceiling around her neck. Despite letting Detective Al Grooms look into the case of their deaths, the police could not determine whether the Dents committed suicide or were murdered. As a result of this incident, Harvey was left to grow up alone in the dark apartment filled with an unidentifiable odor and the crack and groans of the old building, pitied by his classmates at school and the priests at the church that his mother sometimes attended.
While at an impressive dinner with Dawes, Bruce Wayne happens to arrive at the same time with well known ballerina, Natasha. Under Bruce's urgings, the couples break bread, giving Wayne an opportunity to get to know Dent. It was during this time that Dent not only defends Batman, but also idolizes him. He admits that he perceives him as a necessity, needed during these dark times. He believes that Batman isn't looking to fight crime for the rest of his life and is searching for a successor. This earns the admiration of Wayne, who offers to throw Dent a fund raiser, promising him that he would never desire for campaign donations ever again.
Harvey Dent is a pretty tall young man dressed in a dark business suit consisting of an Arrow-tailored dark blue or gray jacket, matching dress pants and a navy silk necktie with double pin stripes. Underneath it he wears a high-collared white dress shirt. He is a handsome man, wit a face consisting of a strong jaw, sparkling blue eyes, wavy blond hair and winning smile. 041b061a72